Mariam wallentin

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Pushing the limits of her instrument for years, whether acoustically or electronically, she has made her mark as composer, performer and improvisor. She has a broad range as an artist and has made music for dance, film, theater, installations and sculptures. She has also worked with performances, given workshops and site specific concerts. Hild Sofie participates on more than 40 releases, and her first solo album Kama is out on Picadisk.

Reinhold Friedl has published articles in newpapers and professional journals and conducted a seminar on "Music and Mathematics" in the department of Mathematics at the Berlin Free University together with Prof. The main focus of Reinhold Friedl's work is the inside-piano. He played all respective literature using inside-piano techniques and released several articles in this field.

Started playing the saxophone at 16 and, following a period at the Hamburg Conservatory Hamburger Musikhochschule , moved in to study at the Cologne Conservatory of Music with Heiner Wiberny, graduating in With his first solo program, he was a prizewinner in the Musik Kreativ contest.

In he got the SWR Jazzprize. Further actual projects are Fo[u]r Alto, a saxophone ensemble dedicated to microtonal music and "Artikulationen E" a solo program for saxophone with 8 channel live electronic. He has been teaching saxophone and ensembles at the Cologne, Berlin and Arnhem Conservatory of Music and is giving workshops all around the world. In he developed a new microtonal system he termed "split scales" for saxophone which he revealed on his debut solo CD "Circe".

Since then his compositions have been recorded by BBC and WDR radios and he has toured and recorded extensively worldwide. He has created music for several Rebecca Horn installations as well as composing scores for her films. In he was assistant director in the Salzburger Festspiele. He has taught at Universities throughout the world and gives yearly master classes in Greece. He curates the annual Plushmusic festival in Cologne and Bremen.

A central and sustaining influence on his music is a sense of 'silent space', which he first experienced in the Sahara Desert in the s. Hilary aims to share this experience, creating inner-spaces for listeners and fellow musicians to explore via the medium of his ensemble Lysn. He studied at Dartington College of Arts, University of York, European Dance Development Centre Arnhem, Netherlands Royal Conservatory, and has worked for more than twenty years as a musician playing in many different styles and areas of music including rock, techno, electronica, jazz, pop, afrobeat, contemporary classical and free improvisation.

Hilary's principal teacher and mentor for trombone playing is James Fulkerson, with whom he studied between and In he started a study of Dhrupad with Amelia Cuni, aiming to apply techniques of this Indian classical music tradition to the trombone. Recently she has recorded with Tobias Koch the Mozart and Schumann violin and piano sonatas. Her instrument is a David Techler, Rome Performed at the festival in Wallentin first sang in the local soulband Carnival, with which she presented an EP in The band has presented several albums since and toured internationally.

In she was named Swedish Jazzact of the Year. Since she is also on tour with the experimental solo project Mariam the Believer, which released their first album Blood Donation, in the same year. She is also active as a singer with the Fire! Looking at the line-up of the "modern composition supergroup" The Wire it seems astonishing that it took so long.

Her strikingly flexible voice is so emotional, and her musicality and technical skills are overwhelming: it perfectly joins zeitkratzer's sound and contributes extensive solos. Orchestra and has previously been awarded the Swedish Jazz Prize.

Its other dimension is shown by Mariam Wallentin and zeitkratzer! The release opens with Muhal Richard Abrams's incredible "Bird Song", one of the rare Jazz compositions including live-electronics Reinhold Friedl, zeitkratzer's director, just curated the vinyl release "Richard Muhal Abrams - Celestial Birds", presenting electronic works by Abrams on Karlrecords : Jazz as avant-garde composition! It was so successful that he even tried to claim the authorship but lost in court.

Crying instruments support Wallentin's expressive voice. Sweet Emma Barrett's Jelly Roll Blues becomes as crunchy and brutal as it's words and message promote: a noise-blues, stomping, atonal, and belligerent. In Strange Fruit, Mariam Wallentin's voice reflects the brutality and deep sadness, supported by Lisa Marie Landgraf's bitterly scratching violin solo.

Geri Allen's "Drummer Song" finally is a fast-forward tribute to modern jazz: small explosions, sophisticated rhythms and licks, improvised group culminations, while "My Funny Valentine" is tactfully reduced to its famous melody and a chromatic bass line - beauty in calmness Zeitkratzer - Germany. Click for larger image. Highlight an instrument above and click here to Search for albums with that instrument.

Please Contact Us so that we can update this biography. Born in Hamburg, Bird Song 2. Struttin' With Some Barbecue 3. Cry Me A River 4. Love Everything. She is also a founding member and composer in the big band mayhem that is Fire! With musical roots partly in improvisation, partly in pop and soul, her career path has crossed diverse musical territories - from choir compositions, drum circles, free form jazz constellations to a lead part in a modern opera by Ben Frost.

Equipped with her courageously uncompromising approach to music-making Wallentin started Mariam the Believer to focus her expression into a pop project. In total 15 musicians took part resulting in songs that twist and turn evolving organically with each contribution.

At the heart of the music is a manifestation of the album title itself - an appeal to embrace opportunity, to turn to love as a concrete solution. The songs are ripe, ready to be eaten, before metamorphosing into new structures and an unexpected richness. Power ballads are interrupted by a change of rhythms. Approaching spiritual subjects rooted in the human body and nature, she pulls esoteric themes into a context and — as pop music has the power to do — reaches dizzying heights.

At the end of the day, to love is an act of courage. I have a will not to be reduced but to be set free. Bodylife is a celebration of the power of the body and everything it carries inside. A dance on the edge between life and death, and a thirst for all drops of life that fills up a human.

A song of surrender, with a wish for acceptance for when the pulse will stop and the heart not beat.

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